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誘敵:半空海釣場

如果你在台北騎車,每當紅燈時你得注意的事情便是從安全島上跑出的玉蘭花小姐、口香糖先生,他們會沿著車子之間狹小空間一個接一個的販賣口香糖與玉蘭花。

口香糖與玉蘭花跟檳榔一樣在台灣屬於道路產業,他們的通路販售方式是流動、川流不息的,從一個地方到下個地方,產業道路到地下道,殘障或是彩票行,永不止息的移動;他們都在販售產品之外的某些東西,比如說,你在檳榔攤買的不只是單純的檳榔、你在地下道買的也不只是單純的青箭口香糖,販賣者本身的某個東西比口香糖更具引誘性,產品本身只是咀嚼的附加價值。

半空海釣場為玉蘭花與青箭口香糖而設計,佔據都市中的制高點,以避免移動所造成的危險與傷害。

而你需要的只是釣具一組,將口香糖與玉蘭花繫於魚鉤上,在紅燈時由天橋垂下,以抖動的方式吸引目標上鉤。

當釣竿往下沈時,要在紅燈之前迅速地將騎士拉起,並請他付錢。

手語教學

LESSON1: 我喜歡吃甜筒,大概有這麼喜歡,你呢?

 

LESSON2: 好久不見,你聽得到(才怪)我嗎?


ABOUT

Big Other 大他者 The big Other designates radical alterity, an otherness which transcends the illusory otherness of the imaginary because it cannot be assimilated through identification. Lacan equates the big Other with language and the law, and hence the big Other is inscribed in the symbolic order. Indeed, the big Other is the symbolic insofar as it is particularized for each subject. Thus, the Other is both another subject in its radical alterity and unassimilable uniqueness and also the symbolic order which mediates the relationship with that subject.

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